A portrait quilt—all in colour—of a joyful young couple, using fabric collage against a pieced background, with lots of thread-painting.
Last year, a dear friend entrusted me with the task of making a wedding anniversary gift for her daughter (whom I shall simply call A). It was to be a portrait of A and her husband, to be called, what else, H!
I chose to combine two pictures, taking the gorgeous couple’s faces and figures from one and placing them against a background of a yellow maple tree during fall. The couple had met and fallen in love in Canada, so this seemed only appropriate!
The quilt which turned out to be much more difficult than what I had envisaged. For one, both of my subjects were smiling broadly!
That gorgeous smile! H’s smile Falling in Love portrait quilt
H’ s eyes were behind his glasses and getting that shading right is always a problem.
Details of the thread painting!
H had a delightful dimple, but how do I portray that in a fabric collage? Not to forget getting that beard right.
The full face —with the dimple!
Then there was A’s beautiful long shiny, silky hair with highlights in reds, auburn like the colours of fall around her!
Glowing with happiness!
Let us not forget the clothes and the accessories.
Details of A’s leather jacket with its zipperThe Adidas strap!
The maple tree in the background was not easy!
The maple tree in fall—I appliquéd some branches and leaf cut-outs randomly on the pieced background
I wanted to show some sunlight peeping through the tree, to reflect the joy on this couple’s face.
The sky peeps out from between the yellow leaves.
Despite the long, long hours it took, it was all worth it and I had quite a sense of satisfaction and achievement when it was finally done! ( I do not recall exactly the dimensions of the quilt, but I vaguely remember it was about 32” x 40”)
So I now leave you with a couple of videos of the quilt.
Falling in Love— the gorgeous couple! May they continue to smile together lifetime after lifetime!
I hope A and H love the quilt as much as I enjoyed making it.
I am overwhelmed with emotion when I try to write anything about this portrait of my daughter…I will try to just stick to photos of how it was done!
This photo, so quintessentially my Tana, was my inspiration for the quilt! I started working on it in January 2022, about a year from when she passed on.
Vectorization done on the Vector Q app
The collage came up pretty quickly!
What followed were a couple of trips—one exploring Rajasthan and another one in to Gujarat! Finally got back to working on it, hoping to finish it by her birthday in April!
Sadly, didn’t feel quite done on her birthday. Needed a lot of more quilting to add depth to it!
( Note that I am trying ‘contour quilting’ quilting on it, where the quilting follows the face contours)
This looks better, right? But I don’t like the way some of the lighter threads stand out against the darker areas! Gives it a harsh look! Not for my gentle darling, it wouldn’t do!
I used Inktense pencils to reduce contrast in the in-between areas and darken some stitching lines so that the threads matched the fabric!
Tip: A bit of Cadmium Orange or Burnt Orange does wonders to soften harsh contrasts in portraits, especially with our Indian skin types! It is great for lip-colour too!
A close-up of her smile
See the Inktense at work!!
The hair…
Were those the most beautiful eyes in the world that mirrored the purest soul that ever lived?
I cut out a poncho I had made for her and used it to dress her! The flowers and leaves were also cut out from the poncho.
The quilt was mounted on a ( mounted) canvas, which makes it easy to hang. It now lives in my living room where I can look at her while watching TV…
…or touch her, talk to her, smile at her every time I walk past her!
I bought this panel of the Frozen princesses To make a quilt ( or wall hanging) for my grand-niece who is a great fan of the two!
The Frozen Princesses Anna and Elsa are my grand-niece K’s favourites!
She was due to visit us and I thought of a quick gift for her. But how boring would this be!
So I came up with this idea.
K goes to the centre of the panel, while the other two look at her admiringly.
I printed her face on a printer-ready fabric sheet after calculating the size I would need to make it.
Everything got more complicated than necessary because I planned to put K on the right side. I cut out the pink princess ( is that Elsa or Anna?) before I realised that that would make my darling Princess K an ‘outsider’ because the other two had interlocked arms.
So I disengaged their arms and locked them with Princess K’s who moved to the centre. Ah, that’s the way I like it. The Disney Princesses look at her admiringly ( and a bit enviously?). The Resident Consultant did not think much of my original idea of a silver dress for his Princess. So I retained the silver yoke and made her blue dress from…a rayon grocery bag! ( Jaipur is a big exporter of women’s clothing. With single use plastic being banned in India, our shopkeepers are using bags made from export-surplus fabric and export-reject dresses).
The quilting was kept to a minimum. ( Also because I had just over a couple of hours for the quilting and finishing). I folded the lighter pink border to the back of the quilted piece, leaving the darker plum inner border to frame the quilt. No binding. The top border became the sleeve.
Not that my Princess minded the short-cuts taken to finish her portrait! She couldn’t believe what she saw.
“How? wow! how? wow…”, she exclaimed!
And here is the Princess herself, posing with her quilted wall-hanging.
Princess K loves her quilt!
Now that done, I have to decide what comes up next!
Thread Sketch of Entrance Gate to ‘Rajgarh, Hill of the Kingdom’
Completed Quilt#2 in my 19th century wood engraving print series! 7” x10” The original print dated 1883, is 3.5”x5” and the image is from periodpaper.com.
The original wood engraving from periodpaper.com
The monument shown is, I believe, Pali Darwaza or the ‘first gate’, at Rajgad ” king of all forts “, near Pune, in Maharashtra, India. Rajgad, known as the unconquerable fort, has a history going back to at least the 15th century, but is best known because of its association with the great Shivaji, whose capital it was for over 26 years! Interestingly, this is a reverse image of the original monument, possibly because the original engraving on wood was correct, but when printed on paper, it got reversed. Look at this picture, from Wikipedia, taken from above, would you agree?
A Photograph of the Pali Darwaza from Wikicommons
Here is the reverse of my quilt, picture taken before I quilted the background.
I photoshopped the original picture to reduce the contrast and gave it an antique paper finish, before printing it on A4 size printer ready fabric sheet.
Tha sandwich was made with thin poly-batting and free-motion quilted with YLI Softouch ( black) and variegated Gutermann (sand) on Hasina, my Husqvarna Viking Topaz 20. I wanted to clarify that is not first thread painted and then quilted. Finished the edges with a simple zigzag ( which makes it eady to frame under glass, in case the recipient decides to) and a corner curled in to give it a dog-eared look! Here is a close-up!
Can you guess that you are going to see more of these thread sketches here?
One thing that has always entranced me is the illustrations of buildings and places from the India of the nineteenth century. As the British travelled across this vast and fascinating land that they had recently colonised, they made a record of its diverse flora and fauna, its people and its rich architectural heritage. An artist usually travelled with the demographer/geographer/biologist/historian and the final document presented to the world was beautifully illustrated …such intricate drawings, with the minutest details!
Ever since I learnt to sketch with India ink on paper, I wanted to be able to draw like that! (One had those nib pens, that you dipped in bottles of ink and you controlled the width of the stroke by the angle of the nib and the pressure applied!) I never got around to it, but you can see some of my drawings from those days, about 40 years ago, here.
When I started quilting, I wondered if I could replicate those ink drawings with thread. I finally got around to trying it a few days back!
I would start with something not too complicated, I decided. This seemed a good candidate!
I reduced the contrast and brightened the image, till I had an outline of the basic shapes monuments and trees. I then changed the image size to 8″ x 10″ and printed it on printer- ready fabric. Added a 2.5″ wide mitred border in black and prepared the quilt sandwich with thin poly batting.
It was free motion quilted on Hasina, my Topaz 20 ( embroidery needle size 70) using YLI Softtouch thread.
Here are some pictures showing the progress of the quilting!
The background done in Invisafil smoke and the quilting is almost done, bar the finishing touches!
I wondered how it would look if I coloured it lightly, but was scared to ruin it. Then I had a brilliant idea! I flipped the quilt over, and tinted some areas of the back of the quilt with Inktense colour pencils! And added the border with some fancy stitches.
I think I like the back better than the front, but no one seems to agree!
When I flipped it over, I loved the back as much as I liked the front! Or perhaps more!
Now began my search for the monument that had been the inspiration for the wood engraving.
The legend read, ‘Tchatri at Tintoui in Bheel Country’ and I presumed that these would be the chhatris ( pavilions or canopies built over a place where a member of a royal family was cremated) near Udaipur in Rajasthan. The Bheels a proud, warrior tribe have long inhabited the forests near Udaipur. But I wondered about Tintoui.
A search on google maps took me to Tintoi in Gujarat, South of Udaipur, presumably also ‘Bheel Country’ – you can see how the hill forest to the West of Udaipur continued southward to the North of Tintoi.
Now to hunt for a chhatri near/ in Tintoi! Is it possible that Tintoi, now a small village, was earlier the name of a much larger surrounding area? Further research revealed that Sabarkantha District in which Tintoi Village was located also had ancient monuments in a forest area, called the Polo Forest! From there it was easy!
Not only was I on the right track, I also found my pair of chhatris, sadly much worse for wear over the last 140 odd years! But totally recognisable, including the tree with its slanting trunk! The website of Gujrat Tourism provided me the best picture of my chhatris! !But…the chhatris seem to be ‘flipped horizontal’ or a mirror image of the wood engraving! How was that possible? Then it struck me. The original engraving was true to the monument, but when it was printed on paper, a mirror image was created! Check the back of my quilt!
Isn’t that amazing!?
You can imagine how delighted I was. The Polo Forest is definitely on my bucket list of places to visit now!
I leave you with this image of my finished mini quilt. But I will be back soon with another thread sketch, for this is addictive, I tell you!
You must be logged in to post a comment.